Showing posts with label Nicholas Jarrett. Show all posts
Showing posts with label Nicholas Jarrett. Show all posts

Wednesday, August 25, 2010

Nick Jarrett's last shift in Philadelphia

or The Post with a Lot of Picture of People Drinking

I'm starting to think I should just have a tag called "last shifts" at this point. I seem to find myself at them quite a bit. But can you blame me? Who can say no to hanging out on a bartender's last shift, especially ones that promise to be epic.


Epic.


When Nicholas Jarrett put out the APB on Facebook that he would be fully committing to working in New York and was cordially inviting folks to come down for his last shift at The Franklin Mortgage and Investment Co., I instantly thought, "Weeeeeeelllllll...it is just a bus ride away..."

Two problems. Actually, more like a one problem that manifested itself in two parts. Due to the fact that this last shift was on a Tuesday, it meant that not only did I have to leave work slightly early to make a bus ride down there in enough time to get my time and money's worth of drinking, but also I had to be at work Wednesday morning.

I asked Nick if I was insane in thinking this, figuring he'd have some level-headed insight from two years of doing this exact commute. Instead, the answer I got was, "It's a once in a lifetime thing. It's going to be... something else."

Well, damn. I had to go if he was going to put it that way.

So after a brief period of agonizing and a lot of soul (and Priceline, Bolt Bus, Hotwire...etc.) searching I informed Mr. Jarrett that I would be in attendance with a simple, "Oh, shit, bus tickets have been bought."


Drink No. 1 of the evening



Drink No. 2


What followed was quite possibly the most terrifyingly awesome 5-6 hours I have ever spent in a bar. For one thing, for anyone who's been down to the Franklin, it's not a huge space. The bar is even smaller. EVERYONE WAS STANDING IN FRONT OF IT. There was a smattering of folks sitting at the little tables, but I haven't felt that sort of crowd crush since...um...it's a tie between that time I saw Gogol Bordello at Terminal Five, and I'd say every Les Savy Fav show I've been to.


Shots, the only way to celebrate. There's more coming.




There was a strong New York contingent representing. It was kind of like a Boy Scouts jamboree, but, you know, bringing bartenders together. And I don't mean just people drinking, I mean folks behind the bar. Because, you see, apparently when Nick Jarrett works a last shift, he doesn't simply just work, he gets guest bartenders.



I waltzed blindly into the middle of this maelstrom close to 9 pm after my bus driver managed to get lost. Someone asked who the other guy at the bar was and I turned to see Brad Farran working behind the bar along with Jessica Gonzalez.

A quick sweep of the bar area and already I was spotting Frank Cisernos, Jason Littrell, Eryn Reece and Tonia Guffey, who hopped behind the bar with Damon Dyer. I was also running into people I'd met at Tales like Jonathan Armstrong as well as finally getting to introduce myself to Maksym Pazuniak.


The last thing you see before getting conscripted to dry shake


For anybody following me on Twitter, pretty much the rest of the evening was a blur. I wish I could be all professional and say "Oh, hey, guys. Here are some totally awesome drinks that I tasted. And, gee, wow, it was just so enlightening having all these bartenders in one place showing off their expertise and I was just simply honored to be there..."


Drink No. 3


This isn't one of those classy posts with edifying details.


Drink No. ??


Throughout the evening I noticed some of the bartender folks had little marks on the inside of their forearms. The ticks made by Sharpies corresponded to the number of shots taken by the individual throughout the evening. I really don't know how anybody was standing at the end of the evening.



When Nick called last call and the house lights came up it still took a good couple of minutes clearning everyone out of the place. While some people tottered off to the next portion of the evening, I had to call it a night. There was no way I was surviving a full day at the office without getting some sort of shut eyes.

As the crowd reluctantly dispersed out into the evening, a somewhat miraculously (and just barely) standing Mr. Jarrett also stumbled out.

I wasn't really seeing him off or anything since I could just see him in Brooklyn, so I wasn't sure how to say bye besides, "Sooo, yea, I guess I'll see you in Brooklyn?"

As he was about to be be folded into a taxi Nick made the effort to turn to me and declare as best he could, "I told you...it'd be a once in a lifetime thing."




The last drink of the evening and The Aftermath

Monday, February 22, 2010

Stopping by for a dram or two at Dram in Brooklyn

I stopped by Dram on Sunday night. It wasn't open yet, but the birthday of Thomas Chadwick's wife brought about a reason to have a friends and family gather in the space.

With the an opening date somewhere soonish on the horizon, I could help but ask Thomas about what Dram was going to be like. I don't know if I've ever had anybody explain plans for a drink menu using the words "Venn diagram" before.

You can trace back the ideas and plans for Dram to Thomas' experience with supper clubs and doing a resident pop-up cocktail program at neighborhood dive bar Bushwick Country Club. At the same time there's a method to the controlled chaos. He said he figured that the informal format of rotating guest bartenders (there will be staff, but also expect people to drop in from time to time) will work in a place like New York, where nowadays having cocktail program with some measure of thoughtfulness almost seems like a given and most consumers are pretty educated about what they want.

"It's good for the bartenders because they don't have to learn a menu and customers get what they want."

Beer and wine on the other hand will be "curated." I immensely enjoyed his use of the word curated because it was pretty evocative of how the wine and beer selection would be treated. Cataloged, updated and maintained.

The off-the-cuff and experimental style for cocktails will carry over to food, with a food station that Thomas described as being like an indoor food truck. Guest food persons will come in and serve their fare from a concessions style counter (food paid for at counter, separate from the drink check), and there are plans not only to invite established chefs and cooks, but also possible encourage participation from well-known or passionate non-pros.

It was all starting to sound like a food and drink think tank, if that think tank was like one of those jam band sessions where you all sit around doing your own thing, maybe have some other artistically inclined friends stop by. Some start taking pictures of you guys, maybe others are drawing up poster or mixed tape/CD cover ideas and yet another is recording the sound to try out their new sound equipment...and the whole thing takes place in a setting highly reminescent of a polished version of someone's parents' rec room (with all the wood paneling, and cozy storage units hanging up on the wall filled with not just glasses and booze, but with books and records).

And speaking of records, if I wasn't already beating the jam session analogy to death, they aren't just for decoration. The plan is to have all ambient music supplied by a record player in a corner behind the bar.

I looked at the drink menu for the party, I went ahead and decided to just try the George Washington Punch (Applejack, whiskey, tea, spices, sparkling cider), simply because if there's punch at a party, you're kind of obligated to try it. Yea, I just made that rule up, but it makes sense, doesn't it? It's like going to a birthday party and not singing along to the birthday song.

However, since the evening was basically cocktails made with whatever is behind the bar by whoever was behind the bar, I had to wing it. Mayur Subbarao and Nicholas Jarrett were behind the bar. I asked Nick for something with whiskey and Nick answered, "How about rum?" I was down with this.

The resulting drink (exact measurements thanks to Nick handwriting it on a piece of paper for me) was made with 1/2 oz. St. James Royal Ambre, 1/2 oz. Tariquel Bas-Armagnac, 3/4 oz. Sandeman's Rainwater Madeira, 1/2 oz. Del Capo Amaro and a teaspoon of Luxardo Maraschino. Oddly enough, the whole thing reminded me of pears. To get even more specific, Shingo pears, when you get down to that big close to the core. A kind of fruity, woody thing.

I kept myself to three for the evening and had just one more drink, but I said I'd stop by once again after the place was open to see how this food and beverage jam session works live.